i made my first 'movie' yesterday. it was annoying because i don't have any movie making software, other than Windows Movie Maker. it is an adequate program, but it doesn't work on my computer. all the dynamic link libraries cannot be detected. so i had to use another computer that was not internet capable; i used my computer to download the pictures and music and usb-drove it over to the video-making one. you'll see it on sunday. it's not even a video, more of a fancy slideshow (7.8 MB).
[EDIT]
video is now uploaded (click slideshow). couldn't get it onto youtube (i only tried once), probably because it is wmv.
[/EDIT]
anyway, it got me thinking about audio/video editing and how the media can so easily twist what you say or do and spin it a certain way, all because of context and framework.
below are two movie trailers. they're not the real trailers.
Shining
i've never seen this movie, but i know the general story, courtesy of the Simpsons.
Mary Poppins
this video shows the opposite effect. i have also never seen this movie, but i know the general story, also courtesy of the Simpsons.
6.12.06
Editing Power
5.12.06
reading list from july to december 06
- J.K. Rowling - Harry Potter and the Goblet of Fire
- J.K. Rowling - Harry Potter and the Order of the Phoenix
- J.K. Rowling - Harry Potter and the Half-Blood Prince
- Margaret Atwood - Oryx and Crake
- Margaret Atwood - Wilderness Tips (Short Story Collection: 10)
- Alice Munro - Dance of the Happy Shades (Short Story Collection: 15)
- Alice Munro - Runaway (Short Story Collection: 8)
- Timothy Findley - The Wars
- Timothy Findley - Not Wanted on the Voyage
- Louisa May Alcott - Little Women
- Daniel Defoe - Robinson Crusoe
- Robert Louis Stevenson - Treasure Island
- Frances Hodgson Burnett - The Secret Garden
- Roald Dahl - The Witches
- James Fenimore Cooper - The Last of the Mohicans
- Nathaniel Hawthorne - The Scarlet Letter
- John and Stasi Eldredge - Captivating
- Orson Scott Card - Ender's Game
- Orson Scott Card - Speaker for the Dead
- Orson Scott Card - Xenocide
- Orson Scott Card - Children of the Mind
- Orson Scott Card - Ender's Shadow
- Orson Scott Card - Shadow of the Hegemon
- Orson Scott Card - Shadow Puppets
- Orson Scott Card - Shadow of the Giant
- Christopher Paolini - Eragon
- Christopher Paolini - Eldest
- Edgar Allen Poe - The Raven
- Edgar Allen Poe - The Tell-Tale Heart
- Anton Chekhov - The Lady with the Pet Dog
- Henry James - The Real Thing
- Evelyn Waugh - The Man Who Liked Dickens
- Herman Melville - Bartleby, the Scrivener: A Story of Wall Street
- William Faulkner - Barn Burning
- William Faulkner - A Rose for Emily
- Charlotte Perkins Gilman - The Yellow Wallpaper
- Katherine Mansfield - The Garden Party
- Katherine Mansfield - Miss Brill
- James Joyce - Araby
- James Joyce - The Dead
- Virginia Woolf - Kew Gardens
- Chinua Achebe - Dead Men's Path
- Leslie Marmon Silko - The Man to Send the Rain Clouds
- Gabriel Garcia Marquez - A Very Old Man with Enormous Wings
- Rohinton Mistry - Squatter
- Mavis Gallant - Voices Lost in Snow
- Alice Munro - How I Met My Husband
- Margaret Atwood - Happy Endings
- Lori Moore - How to be Another Woman
- Phillip K. Dick - We Can Remember it for You Wholesale
Porcelain Philosophy 3: Hermaneutics
heads up: narratology in action.
i came across two very vague terms in the course of my studies: the Hermeneutics of Emanation and the Hermeneutics of Suspicion. they're a mouthful, aren't they? hermeneutics, for the uninitiated, is the science of interpretation, pertaining most commonly to Scriptural study.
Hermeneutics of Emanation refers to the use of narratives as interpretation through emanation. that is to say that everything in life has meaning; any narrative that fits it does so because of its inherent meaning. life is a logical force; literature is its interpreter.
Hermeneutics of Suspicion is, as i'm sure you suspected, the opposite. life in itself is meaningless; it is just cause and effect, repeated ad infinitum. sentients (i.e. us) give order and logic to this haphazardous life by imposing a narrative upon the events: imbued meaning. life is random; literature is used to put it into an order that makes sense to us.
i started this search for my narrative prior to learning of these two schools of thought. the Christian in me leans towards Hermeneutics of Emanation. all around me i can see the cycle of Christ: birth, glory, trial, death and resurrection. i see it in the seasons, i see it in comedies and i see it everyday in the way people wake up, do their thing, go to sleep, and do it all over again. the sun will (appear to) rise and then it will (appear to) fall. this pattern is hardcoded into our being. but what have i just done? i have imposed a narrative upon what i've observed in life, like in Hermeneutics of Suspicion. and around we go.
4.12.06
final assignment of the year 2006
here it is, in all its unedited glory because i don't edit.
House Pigs: Habits and Habitations
The common house pig (sus domesticus), unlike its wild and hedonistic brethren prefer to settle in rural areas, rather than tramp around forests foraging for food. As omnivorous scavengers, their diet varies from location to location, highly dependent upon the humans that choose to feed them. Humans, a lazy but resourceful breed, follow house pigs around, waiting for them to build lodgings before co-opting them for their own purposes. House pigs are recompensed with food and mud. House pigs are incapable of making their own mud for wallowing. As they do not roam for watering holes, they rely on humans to provide the necessary water for mud. The relationship between house pig and human is considered to be symbiotic. After many years of co-habitation, house pigs and humans can become indistinguishable in feature and habit.
Juvenile house pigs embark on a journey in their fourth year to find a new home to live, building their own when one cannot be found. Building materials vary, also dependent on the materials they can forage from human refuse. The most common are made of straw and thatch, or sticks leaned against trees and rocks. They are not the most impressive of homes, no more than hovels in the ground. There have been isolated instances of houses built of sturdier materials, like the hull of an abandoned carriage or a pile of bricks. These houses can be ornate enough for humans to live in them outright. These houses also allow for the house pigs to build hearths for warming their homes in the winter.
The house of the house pig is not only meant for protection from the elements but also from the house pig’s natural predators. As large and slow-moving beasts, house pigs fall prey to any carnivore larger than 1 m in height. Crafty hunters will trick house pigs out of the safety of their homes by baiting the entrances with giblets or turnips. The most prominent house pig predator is the windy wolf (Canis lupus ventosus), a very rare breed of wolves with expanded lung capacities and the ability to exhale with gale-force winds – 8 on the Beaufort scale (63-74 km/hr), enough to cause light structural damage. Lazy pigs fall easy prey to this elusive predator. Their homes – far from sturdy – are blown away with ease by the windy wolf. Of course, Newton’s third law forces the wolf back several kilometers from the recoil of its own breath, giving the house pig time to escape if it is not grievously injured.
In 1435 there was a recorded instance of a stubborn windy wolf making siege on a house pig holed up in a brick dome. Each attempt to blow down the house sent the wolf back three kilometers, allowing the crafty house pig to forage and relieve itself at half hour intervals. Observers at the time theorized that the house pig had actually stolen a kite from the windy wolf, for they saw a red one flying from the smoke vent of the brick dome, taking advantage of another futile attempt. They noted that the wolf seemed particularly irate after that. When it finally returned from the recoil trip, it clambered up the dome and into the smoke vent. The wolf was not seen again. The house pig was arrested by environmental officials upon hearing the reports of the observers for the murder of an endangered species. He was later released and absolved when the judge ruled that the pig was provoked.
2.12.06
sleep is for the responsible
excerpted from said facts:
one actually confirmed a theory i had about sleepiness. i found that i acted drunk when very very tired, even though i've never been drunk, or even tasted alcohol before:It's impossible to tell if someone is really awake without close medical supervision. People can take cat naps with their eyes open without even being aware of it. The continuous brain recordings that led to the discovery of REM (rapid eye-movement) sleep were not done until 1953, partly because the scientists involved were concerned about wasting paper. Scientists have not been able to explain a 1998 study showing a bright light shone on the backs of human knees can reset the brain's sleep-wake clock. British Ministry of Defence researchers have been able to reset soldiers' body clocks so they can go without sleep for up to 36 hrs. Tiny optical fibres embedded in special spectacles project a ring of bright white light (with a spectrum identical to a sunrise) around the edge of soldiers' retinas, fooling them into thinking they have just woken up. The system was first used on US pilots during the bombing of Kosovo.
during a late-night poker game at winter retreat 06, i found that my inhibitions mysteriously disappeared at around 1:20 am, resulting in a) the ability to bluff opponents by shooting my mouth off; b) sitting outside for 20 minutes eating a block of ice because i got eliminated and that was the challenge.Seventeen hours of sustained wakefulness leads to a decrease in performance equivalent to a blood alcohol-level of 0.05%.